Why do we read Speculative Fiction? The reason I read it is for great
stories about wild possibilities - you know, the excitement of a really
good "what if?" Doomsday Book has that punch, that "What if?" Here it
is . . . what if a time traveler accidentally goes back to England
during the time of the Plague and people in both the past and the
present start getting sick and dying? This opens a whole realm of
possibilities and problems of course. Did the plague actually come from
the future and infect the past making it an enormous paradox? Did the
plague from the past leap to the future and start its run anew?
Connie Willis has a gift for characters and her main ones are
wonderfully well-defined, alive in their actions and sympathetic for
the reader. Kivrin, the historian who is thrust into the past and into
the path of the plague, is a fantastic narrator who discovers horror
and heroism in a small village where the fate of everyone rests in the
hands of a humble priest.
Why do we read Historical Fiction? The reason I read it is to
experience the past through the telling of a great story - you know,
the excitement of really being "there." Again, this book satisfies that
criteria through page after page of brilliant prose. Connie Willis did
her research and more than any other account I've read, she made me
experience the true devastation of the disease that nearly wiped out
the population of Europe. It may have only killed around a half
(wikipedia says 75 million) of the residents of the continent, but
that's just because it didn't hit every town and every province. Where
it did hit, survivors were rare.
I don't cry, but tears came to my eyes several times while reading this book. Hats off to Ms. Willis for writing so powerfully.
There have been a lot of complaints about the pacing and if you've
read some of my reviews you'll know that I'm a stickler for action
moving the plot along. But action isn't just running or fighting,
sometimes action is in discovery and dialogue . . . and that's the
action of Doomsday Book. The reader has to care about Kivrin. In fact
the reader has to become Kivrin, and experience the Plague before the
emotional impact can be felt, and that's what the action of this plot
does for us . . . we experience life in the past, then illness, then
death, and we never know if we're going to be the next to die.
There have also been complaints that the storyline of the future
isn't as strong as the story in the past. Well, to be frank, it's not
supposed to be. The story is about Kivrin and we need to know what's
going on in the future because it has the potential to impact Kivrin in
many ways. For example, the simple question of whether she can ever be
retrieved is paramount to the story. We, as readers, become more
emotionally involved with Kivrin based on that knowledge and this is
Kivrin's story after all. We also have to know the course of disease in
the future for the same reason. Sure the future gets short-shrift on
the character development, but how big of a book do you want? Connie
Willis didn't write a multi-volume epic, she wrote a powerful and
complete story. And she did it well.
- CV Rick
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